Archive for September, 2010

Mother/Daughter Apron potholders

Friday, September 10th, 2010

A while back someone wrote to me and said she had some fabric from her parents house. She said it was mostly aprons from her mother and ties from her father. Inside the box that came in the mail were a few aprons, lots of ties and a note. There were two aprons with red, white and blues one big the other small. The note said they were mother and daughter aprons and that they had plastic rings in them that made it easy to slip them on and off.

It’s interesting what we remember and what memories we have the desire to keep alive and pass along. The uniqueness of the plastic rings and the ease with which they were able to be used made these aprons memorable. I imagine it’s in the feel of the plastic around the waist or in the hands that triggers the memory.

When I was in training for my work with developmentally disable adults one of the exercises we did was to wear thick gloves and a blind fold and try to navigate our way around a room. I learned that when you can’t see, the sense of touch becomes all important. Just think about getting up at night and feeling your way to the bathroom in the dark. You rely on knowing the space and your hands feeling the familiar texture and shape of furniture or a doorway. When we can see, the sense of touch is seemingly less important, but I imagine it has an impact on us in ways we’re barely aware of.

My Studio Barn

Wednesday, September 8th, 2010

I’ve found that I love sketching the studio barn. I don’t do a lot of drawing, and often I get frustrated trying to draw, but I’m not as hard on myself as I used to be. My desire to draw comes from a different place, I’m more interested in capturing a feeling or the essence of a thing than reproducing what I see. Maybe it’s just easy to draw what we know well and love.

Crocheted Smart Car

Sunday, September 5th, 2010

I heard about the crocheted Smart Car on the radio yesterday. When I googled it today I came across Magda Sayeg’s website the artist who created it.

I loved what I saw, even her website design was inspiring. She crocheted sign posts and cement pillars, campers, cars and sneakers hung over electrical lines. Check it out, it’s fabulous!

I also got a pang of regret. When I was in art school in the late 90′s I started unraveling old afghans, bedspreads, doilies etc. and crocheting them over objects. I unraveled one of my grandmother’s starched crocheted vases and crocheted it around a stair railing, the leftover yarn still attached to the remains of the vase. I crocheted an ax, a kitchen pot, a hammer, my childhood doll “Johnny” and stuffed dog “Pinky”. Later I crocheted a tea cup (this was a collaborative piece I did with a friend) and a chair.

When I saw Magda Sayeg’s work I thought “that could have been me”. But there’s a big difference between wanting to do something and actually doing it. I still don’t know if I would have the guts to go out on a street corner and crochet a signpost. But I may someday, I ‘m a different person than I was 10 years ago (even 2 years ago). Of course I won’t be crocheting a signpost, or a car, thats already been done. It seems that there are ideas out there floating around and different people pick up on them and take them in different directions. I ‘m always amazed when I encounter one of these connections, weather it’s with and artist who has been dead a hundred years, or just someone in another country. So I’m going to keep an eye on Magda’s website and continue to be inspired.

First set of 4

Thursday, September 2nd, 2010

I can’t wait to make more now that I’ve finished my first placemats. Last year I didn’t think I could work in this size about 13″x16″. It was the handbags that got me into it. I found making the handbags I’d pay lots of attention to the front and the flap and what showed and what was hidden by the flap. When I got to the back I’d fit the extra material together without the pressure of it being the front. I found when the piece was laid out flat before making it into the bag, I really liked the way it looked. Often I found I liked the back as much as the front, it had the freedom of not being so thought out.

I’m not sure how much the placemats will be, I have no idea how long it takes to make them. I have other work for tomorrow, so on Monday when I resume the placemats I time myself to help figure out the pricing. I’m already contemplating the next color scheme.

Yesterday’s struggle, today’s fun

Thursday, September 2nd, 2010

Today’s placemats. Same fabric, much different design, I think it shows how much fun I had making them. I have 2 more to design, then it’s just sewing them together and I will have my first set of placemats. I think I’m going to enjoy this.