Frogs, Queen Bees, and Some Scrap Bin Potholders For Sale

 

My Frog Potholders, for sale in my Etsy Shop.  Just click here. 

What better place to hang my Frog Potholders than from the trees they sing from in the spring and summer.

Although the frogs have gone underground and have stopped singing, making these potholders made me think of the spring when the peepers will be back, with the sounds of warmer weather.

This is the last of my frog fabric. I made a few frog potholders before,  but had a hard time working with the colors until Autumn came.

All these Potholders are $20 each + $5 shipping for one or more. You can buy them here. 

Queen Bee Potholders for sale here.

I also used up the last of my Bee fabric. After Sharon sent me her Queen Bee Poem, I named the rest of my bee potholders “Queen Bee”.

Purple Scrap Bin Potholders

Then there are a few potholders that came from my scrap bin…

Bird in The flowers Potholder

Queen Bee

The potholder I made for Sharon

When Sharon saw my Bee Potholders she wanted one.  So I made the one above with her in mind.  “In response,” she wrote to me this poem, which I would call Queen Bee, even though she didn’t title it.

I want a bee to be
as only a bee can be
the center of my life
have often called myself a worker bee
but really want to be a Queen Bee
am ready to lead
and have my family
and make the sweetest honey yet

By Sharon

What I find so wonderful about this poem is that interior movement from worker bee to Queen Bee. No longer afraid to be the one in charge of her own life to make decisions and take responsibility for them.

I guess it’s because I feel like this is just what I have done.  I have my family in Jon and the farm and I get to make sweet honey all the time in my studio.

The Books I’ve Been Reading

Bud snuggled next to me on the couch as I read

Along with resting, walking, drawing and bridge building, I also did some reading over the past week.

I finished  Margaret Atwood’s latest book of short stories, Old Babes In The Woods.  That’s the one with the story of the snail that I quoted from when I got my rams horn snails. It also has a few stories about an older woman who is recently widowed.  One called Wooden Box stuck with me because I feel like it captured what I imagine to be the imbalance of being left behind.

At the Inn I read Glory Be by Danielle Arceneaux.  It’s a mystery set in Louisiana with Glory Broussard, an older African American woman, solving the mystery of her friends death (and  of who has been breaking into her house)  Glory has so much personality and is such a complex character, the book was pure enjoyment in a great setting.  I’m looking forward to the next one.

I put down (for now) So Late In The Day by Claire Keegan after the ending of the second of the three stories in the book left me disappointed. I’ve read a few of Keegan’s books  and have found them tender even when they deal with difficult themes. I  guess I came to have certain expectations from her stories.  I’m sure I’ll pick it up again and read the last story, I just needed something different in-between.

Now I’m reading The Queen of Dirt Island By Donal Ryan.  Each chapter is 2 pages long and tells a complete story that could stand on its own.  But all together they tell the story of three women, a grandmother, mother and daughter living together in a small town in Ireland.

“Whatever about the future, she [Nana] said one day, worrying about the past is the hollowest of all things.”…”So we can forget changing the past and all we can do is look after our present moment, planting good seeds in it so that our next moments might be fruitful.”   Nana from The Queen of Dirt Island 

Busy Bee Quilt And SeaTurtle Potholders

Busy Bee Quilt

One of the sheets that Bev dropped off at the farm a couple of weeks ago was just the right size for my Busy Bee quilt.  “Queen” was written on the edge of the sheet, so now I know my quilt is about Queen sized.  I say about because my quilt isn’t as square as the sheet was and I had to cut off some of the extras at odd angles.

But that’s the way it is with all of my quilts, potholders, and pillows.  It’s why I’d never even consider using a pillow form.

Now Busy Bee is ready to be tacked.

I already sold all but one of the Sea Turtle Potholders that I made yesterday.  So I began my day by designing a few more. I’ll have all those done by the end of next week.

My Sea Turtle Potholders.  I tried to give them the feeling of being underwater.

Studio Hive

I got a great email the other day from someone saying that she thought of the studio barn as “a beehive, humming with quiet, purposeful activity and creation” I immediately went to my black board wall and drew the studio hive. Of course the studio has that classic beehive shape, but it was also so meaningful because the past few weeks those giant bees that bore holes in wood have been scoping out the studio as a potential home. They have since left ,but for a while, I would see them constantly outside my window as I worked and I did feel like I was working inside a beehive.

I have a friend who keeps honeybees and she sometimes tells me the story of their existence which is fascinating. The words she uses to describe the process make me think of a children’s book. The queen bee makes a Nuptial Flight a mile into the air to mate. There is Royal Honey made for the Queen. And the worker bees will kill an intruder , like a mouse or spider ,and seal it in the hive with wax.

The hive is a rich, dark and magical place.

Walking With The Animals

The donkeys and sheep calmly walk slightly behind me or at my side as they follow me into the pasture. I stop when we are there and they fan out on either side of me, finding their own way to the best grasses and flowers to eat.

Jon asked about bush hogging the pastures, but I told him we have to wait, that the flowers have just bloomed.  The bees and butterflies, moths, and flies need them.  And we need the insects now more than ever.

Fate winds her way through the thick wildflowers using the footpaths that the deer have made.  She disappears in the Bee Balm, Queen Anne’s Lace, and Joe Pye weed.  Then she reappears in the oregano, bedstraw, birds-foot-trefoil and knapweed, the lower-growing flowers.

When the animals walk with me so calmly to the pasture, I feel the trust between us, the ease in knowing each other and what is expected.  What we have all come to depend on.

Grazing With The Wildflowers

The water is receding and Lulu’s crossing is more mud than flooded pond.

I brought the sheep and donkeys to the back pasture for the first time in weeks.  It was like seeing them graze again after a winter of eating hay.   They grunt and snort as they rip the plants from the ground and chew furiously.

I sat in the chair in the shade of the pine tree.  The insects are too busy with the blooming Bee Balm and Wild Oregano to bother me.

Merricat grazing among the Bee Balm

Asher grazes next to me.  His mouth is stuffed as he moves his way through the grasses and flowers.  But as quickly as he moves, I can see him make choices between the plants.  Some he gobbles up and others he leaves behind.

The donkeys are discriminating too.  Lulu pulls up some Queen Anne’s Lace and eats it slowly.

Lulu eating Queen Anne’s Lace

There are so many flowers blooming in the back pasture since I was last there.  Some I know by sight like Yarrow, Thistle, Joe Pie Weed, Daisy, Black Eyed Susan, Swamp Verbena, and a bunch of different kinds of clover.

Birds-foot-Trefoil

I take a picture of those little puffy yellow flowers that I see all the time but still don’t know their name.   Birds-Foot-Trefoil comes up on the plant ID in my photo app making it easy for me.

Heal All

Then I take a picture of the purple flower I see all the time.  This one is common also.  It’s called Heal All because it has been used for centuries to heal all kinds of wounds and illnesses.

Fate is hot from running around the sheep so on the way back to the barn she goes into the pond to cool off.

Finding Faces At The Mansion

Claudia, June, and Bill with their drawings.

“I feel like I’m back in Kindergarten,” Bill said.  I wasn’t sure how to take that.  So I asked him if that was a good thing.

It was.

Bill said finding faces in the paint marks on the paper I made for them brought him right back to his Kindergarten Classroom in Queens NY. “I can still see it,” he said with a smile on his face “and feel what it’s like to be there.”

I was glad to be able to do that for him.

One of Bill’s faces

I called it Finding Faces.  Last week I laid out 13 sheets of watercolor paper on my studio floor, then splattered them with paint.

“Today we’re going to use our imaginations,” I told the people sitting around the big round table in the activities room in the Mansion.

Look for two eyes, maybe there’s a nose and mouth, maybe there isn’t.  At first, you may not see anything, but after you see the first set of eyes, after you draw the first face, others will reveal themselves to you.

Jennifer’s drawing

“Have fun, don’t be afraid, you can’t make a mistake.” I told them,  “Think of the strangeness of dreams or cartoons.”

one of June’s people

Then I spread the illustrations of clothes I cut out of a catalog I got in the mail.  I used them before to make collages at The Mansion.  This time they’d just be accessorizing.

Claudia’s Couple

Rachel, who has been living at the Mansion for about a month, said she loves being there and has learned that she likes to make art and is good at it. I watched as she made figure after figure, filling her paper with strange people.

One of Rachel’s strange people, with her hat off the paper

She told me they all drew self-portraits a few days ago and she was surprised at how well hers came out. Aileen, one of the activities directors showed me their self-portraits and they really well done with a lot of emotion.

Ruth’s Face

Before I left Paryese, the other Activities Director asked if I’d like to help next month when they tie-dye t-shirts.  After they are tye-dyed, Aileen will print their name on the shirts and they will wear them to the Washington County Fair.

I’m looking forward to it.

Run, Maria, Run For Your Life

 

Today is my mother’s birthday and it’s a tough day for me.  That’s why I’m writing this.

It makes me think of Bushra Rehman’s book, Roses in the Mouth Of a Lion and the feeling of freedom and possibility that the story invokes in me.

The novel is a coming-of-age story about Razia, the daughter of Pakistani immigrants, who lives in Corona, Queens.  When she realizes she’s a lesbian she is torn between the traditions of her family and living her own life.

In one chapter of the book, Razia goes to Central Park, for the first time, with her friend.  Later she goes to the Metropolitan Museum of Art, again for the first time, this time with her girlfriend.

In those chapters, I was brought back to the first few times I went to New York City by myself and with my friend Rolando when I was sixteen. I don’t remember the details of the trips, just that we went to Greenwich Village and there I found a sense of belonging for the first time in my life.

Part of it was that I was anonymous in the city.  I didn’t have to worry about meeting anyone I knew, so I felt I could be who I really was without judgment.  But there was also something about the city itself, it seemed like anything was possible there.

This was in the early 80s and the Village was filled with all different kinds of people.  There were punk rockers, artists, trans people, hippies, people in business suits, and people in drag. And no one turned their head to look at any of them as they walked by.

But mostly I felt free. Free from the ties and obligations of my family.  As if there really were other ways to live in the world than I had been living all of my life.

It’s taken me over forty years, but I now feel like I’m living that freedom.

It’s not the same as the feeling I had when I was younger, the feeling that came back to me reading Rehman’s story of Razia.  Which is why it was so delightful to experience it again.  That freedom had an innocence to it.  A sense that I could run away and be instantly transformed. Or that someone would come and save me.

But I know now that isn’t how it works.

For most of my life, I felt as if there was something heavy and dark, just over my shoulder. An anchor weighing me down. A darkness waiting to fall.   And although I’ve been working on it for years, since I got divorced when I was in my early forties, it is only through therapy recently that I could see how damaging my birth family is to me.

At the same time, I became aware in a new way of my mental disorders.  The panic attacks I’ve had at least since second grade. The dissociation which made me feel as if I were observing my life instead of living it. It often stopped me from being able to experience emotions, or make decisions.

And the constant underlying fear, that kept me from taking responsibility for my life and reacting to it instead of making good choices for myself.

To gain my freedom I had to leave the family I was born into behind.  Yet I have not been able to completely leave my mother.  I call her once a week.

I know in some ways it would be easier not to speak to her at all, but it’s not something I’ve been able to do.   My mother is 94 and not in the best health.  I feel for her and a part of me still wishes I could be in her life more.

I was stunned when my therapist suggested the people in my family were triggers for the emotional abuse that I experienced as a child. Abuse that I  still don’t completely understand.

Which is one of the reasons it has been hard to identify.

It’s not as if I can point to a single or recurring incident.  The family is a system that I’m not a part of.

I have found that when I don’t have contact with the people in my birth family, I don’t experience panic in the same way. I don’t dissociate at all.  I am confident and know what is good for me and what is harmful and trust myself to make decisions.

And irrational fear no longer stops me from living the life I want to.

Now  I only feel that weight or sense of doom when I falter.

When I go back to my old way of thinking, to what I was taught. The idea that family is everything and will always be there for you.  Instead of what I know to be true for myself, which is that for me family is dangerous.

While I was reading Roses in the Mouth of the Lion, more than once I heard myself thinking, “Run, Razia, run for your life.”

 It’s something I’ve said to myself many times over the past ten years, as I struggled with the idea of never seeing my siblings and mother again.

The last time I visited my mother it triggered me so badly that I vowed never to do that to myself again.  I feel guilty and sad about the way things are, and at times doubt that I will be able to keep my promise to myself.

But when I trust myself and understand I feel the way I do for a reason, and  I choose to protect myself, that sense of freedom soars inside of me.

And now when I hear that voice in my head, saying, Run, Maria, run for your life, I’m not only running away, I’m also running towards myself.

Which is the only place I can ever really go for the answers I’m looking for.   As much as my therapist or anyone else tells me what they believe to be true, I am the one who has to make the decision, act on it, and take responsibility for it.

I have made those often hard but good decisions to create the life I have now.  A life filled with love, creativity, animals, and community.

Jon knows me better than anyone ever has and we both want the same for our lives with each other.  We’re dedicated to our work and support each other in it.  The farm and our animals are nourishing and a source of our creativity.

We encourage each other to be our best and true selves.

So I have more than just myself to protect, I have a family and a life that I love.

Healing With Donkeys

Fanny laying in the sun

I went to be early last night.  I’d been laying on the couch for most of the day but as it grew dark and I got more achy I was craving the soft mattress.

So when I woke up at 5am and needed to stretch, I decided to go outside and open the gate for the donkeys and sheep so they could get an early start on grazing.  Fate came with me and got to run around the sheep, while I sat on the damp grass and watched the mist hovering over the marsh.

The sun not yet over the tree tops, the light was still soft.  As I sat there, a thick string of mist gathered above the stream.  I turned my head for a moment to tell Fate to “get the sheep” and when I looked back to the stream, the mist was completely gone.

So I tried to watch it dissipate over the tall wildflowers in the marsh, but it too eluded me. Moving the way the hands of a clock do.  Too slow to see and then suddenly the purple flowers and tall green grasses are brighter no longer seen through the scrim of fog.

I went back to bed after that, tired again.

That’s the way it’s been since yesterday, I do a little something, then get tired and have to lay down. I haven’t had the flu in a long time, but that’s what this feels like.  Rest and lots of liquids everyone says. Take your vitamins, Alfreda texted me.

So that’s what I’m doing.

Except when I went back out to the barnyard some hours later to close the gate after grazing.  And there was Fanny laying in the sun.  I gently walked over to her and sat down beside her.  I know sitting in the sun, next to Fanny has to be healing. She twitched her ears at the flies and I scratched her neck.

Feeling the soft hair under her chin tickling my face, I didn’t know that Lulu was standing next to me until I turned my head.  How can an animal that big be so quiet?

Now I was surrounded by donkeys.  I scratched Lulu’s neck until the chills I was feeling subsided and suddenly the sun was too hot.

I’ll go out again later.

Feed the cats and check on the donkeys and sheep.  In between, I sleep on the couch, maybe do a drawing.  I’m reading Nicole Pasulka’s book How You Get Famous about the Drag Queen scene in Brooklyn.

I never work makeup or heals rarely even a bra,  and have never been interested in most of the music I’ve heard Drag Queen’s lip sink to.  But I love watching drag. I’m thinking there’s a connection between that and my love of Bellydancing (which I missed last night) but I haven’t figured it out yet.

Maybe I get some insight as I continue to read Pasulka’s book.

Full Moon Fiber Art