Creating The Lettering For “Shield Of Words” Posters, Postcards and Magnets

 

words

It was when I showed Emily my I Belong To Me and I’m Not A Ghost postcards, during one of our Zoom studio visits, that she said she wished I had created the letting for the words.

This idea was a natural one for Emily.  She uses and creates words in her collage art all the time. Her words are a part of her images.  (click here to see some of Emily’s work)

As soon as she said it, I knew she was right and wondered why I had never thought of it before.  I’ve used words in my art for years.  Most recently on my Corona Kimono.

I decided to take Emily’s advice and yesterday when, by chance, I met Sara Kelly, who does the graphics for my posters, postcards and magnets, in the post office I knew it was time to actually do it.

So this morning using the same old quilt backing that I used for my Shield of Words fabric painting I stitched the title on my sewing machine.

My first try wasn’t quite right.  I didn’t like the “of”, it wasn’t strong enough.  But I did like the capital “D” in the word Shield, because it looks like a shield, and wanted to put the same “D” on the “Words”.

So I redid it.

I was hoping to make the lettering expressive.   To give them that feeling of someone sitting down and quickly writing the words in pencil then going over them again and again.  Which is just what I do with my sewing machine.  I also thickened up their bottoms, just a bit, to give them weight and grounding.

Then I send a photo of my Shield of Words fabric painting and the words to Sara.  She’ll work her magic and put them together, making them just the right size for posters, postcards and magnets.

My first try at stitching the words
The image of my Shield of Words that I sent to Sara Kelly.

 

 

Too Late To Create

I  had all these plans about the work I’d do when I got home today.  I couldn’t wait to get back to work on my “I’m not a Ghost” fabric collage.  While we were away I came up with a new image for my Corona Kimono.  First, I thought, I’ll pack up all the Naked Athena Magnets that I sold so I can put them in tomorrow’s mail.

But here it is almost 6 pm and I’m just getting to blogging without having done any of the things I planned.

It’s too late for me to start creating, my brain doesn’t want to make that leap.  So I’ll get the magnets ready for the mail and have a fresh start in my studio on Monday.

Smoke On The Rain

Jon brought the chicken back from the village market after his Meditation class at The Mansion.  “I think it is a cold,” he said to me on the phone.  That’s when I told him I’d make chicken soup if he picked up the chicken.

An hour later, after lunch, I chopped the onion and my eyes didn’t sting until put them in the pot.

The light coming into the house has been strange all day.  This morning it glowed orange on the bookshelf, now there’s a yellowish-gray cast over the farm.  My neighbors, the mountains, are pale ghosts of the haze.

I can’t help but wonder if my eyes still sting from the smoky cloud that reached our town from Canada early this morning.

“I think I can smell smoke on my sweatshirt,” I said to Jon putting my nose to my sleeve. Can you smell that or am I imagining it?

Jon smelled it too even though he’s congested.  Maybe his cold isn’t a cold, but the effects of the tainted air. The weather channel warned against going outside if you have certain health conditions, heart disease being one of them.

It’s been dry here.  Not like in some places thankfully,  but a small thunder shower a few nights ago is all the rain we’ve had in a long time.

Last spring and summer, when so much of the country was in drought or flooding, we got the perfect amount of rain.  Enough to keep the grass green through September without it being too much.

I worry it’s our turn, the grass in the pastures is already mostly yellow.  “It’s just dormant,” Suzy texted me, “protecting itself till it rains again.”

I know I’m fortunate to only be concerned about having enough grass and hay for the animals, and not about wildfires.

We’re promised a thunderstorm, but I don’t trust it even though the air is beginning to remind me of the color of the chicken soup simmering on the stove.

When the rain does come, it smells like a campfire and doesn’t last as long as the thunder.   The ground under the big maples is bone dry, but still,  I’m grateful for what we got.

It feels hopeful.

Jon says that dogs know hope.  The way Fate will always run to the door when I put my shoes on, hoping to go to the sheep no matter how many times she’s disappointed.

Maybe the grass knows something like hope too.  Like the potential of dew. Just enough to not give up.

All Is Certainty

A dead Ghost Plant

The rain wouldn’t have kept me from walking in the woods, but it stopped when I went out to feed the animals. I kept my red muck boots on knowing there would be mud and possibly water flowing over the wood planks that are the Gulley Bridge.

It was a relief to find out this morning that Jon has a kidney stone and nothing worse. I was ready for a walk in the woods after getting back from the doctor’s office.

I followed the path I cut years ago.  Fallen trees lay across it now.  Some I step over, others I have made a new path around.  The stream by the small waterfall soaked the path leading to it.  This happens every spring when the snow melts.

Zinnia splashed in the small stream and Fate and I jumped over it.  As I walked up the hill I was overcome with a feeling of peace.  It came suddenly, washing over me from head to foot.  All the tension I’d been feeling was gone.

It felt magical.

I looked around me at the landscape I’d come to know so well and had the feeling that everything was just how it was supposed to be.  And not only in the woods but in my life as well.  As if there was certainty in all that was happening, both the good and bad.

The feeling stayed with me when I got back to the farm and even as I’m writing this.

I thought about how when I walk in the woods, something is always different.  Another tree has fallen or was bent by the wind and a  mushroom is sprouting in a place I wouldn’t have expected.  Change is constant, there is no remorse it’s just what is.

Maybe, I said to Jon as we were in the kitchen cooking dinner, this is the same feeling people have when they put their trust in God.

Because I’ve seen an aura of peace in people who really believe and I’ve always wondered what it feels like.

I don’t know how long this feeling will last.  But now that I know I can experience it, maybe I’ll be able to get it back again.

a small mushroom growing out of the old shag bark hickory

The Cicada, The Squash Bugs and Hollow Myths

Growing up on Long Island, the deafening buzz of cicadas was the sound of hot summer days.   I’d find their empty shells, like ghosts still clinging to the tree or building they happened to be on when they molted.

It was more unusual to see the insect itself.

As I was watering my vegetable garden this morning, I saw what I believe to be a cicada on a squash leaf. It’s the right size (about 2″) and shape, only the color is different than what I’m used to seeing. All of the cicadas I’ve seen are shades of green with some spots of red or yellow around their head.

I left the cicada to fill up the watering can and when I came back to have another look it moved to the stem of the squash leaf and where it had been were a clutch of eggs.

At first I thought they were cicada eggs.  It made sense, the Cicada was there then the gone and left behind were eggs.

But it was as simple as Googling “bugs on squash leaf.”  That’s where I came across the website called Savvy Gardening and found out that the eggs were squash bug eggs. Once hatched the bugs could easily kill the plant.

Since I only have one squash plant and one zucchini plant it was easy to look through all the leaves to see where the eggs were.  I pulled those leaves or the parts with the eggs on them, off the plant.  I also found an adult and some newly hatched squash bugs.

Squash bug eggs

I’ve already picked five or six small yellow squash from my one plant.  I usually just slice them and cook them up in a little olive oil and grate some Romano cheese on them.  But I have three or four saved that I  plan to make some squash cakes from.

I have to thank the cicada for making me aware of the squash bug eggs.  I don’t think I would have noticed them if I hadn’t seen the cicada sitting on the squash leaf.

Like the moth and butterfly, the cicada is a symbol of transformation and rebirth.  And because they can wait up to 17 years to emerge from their life underground, it feels particularly encouraging to me.

My own personal transformation has already been going on for years. Like the cicada, I had a life underground.  I was living in the shadow of the truth about myself and those around me.

I began to emerge when I was in my mid-forties.  And here I am once again.   At 58 years old I’m finally letting go of some of the oldest myths about my life that I’m just realizing were never really true.

They still cling to me at times, like the ghost shell of the cicada left behind, yet still holding on.

But every day my old myths are becoming lighter, they ring hollow, as I’m finding truth in the new story that is my life right now.

Letters On The Wall

The initials on the woodshed wall

I pulled one piece of wood, then another from the stack in the woodshed and there it was painted in red, the initials JV. 

We moved to the farm in 2014.  I’ve been stacking wood in our woodshed for 8 years.  But it was only yesterday that I saw the initials for the first time. I shake my head at how it is possible that I’ve never seen them before. But I know this kind of thing happens all the time.

I’ve lived in enough old houses to know that people leave their mark.

In one of the houses I lived in, I found an old leather shoe in the wall, put there for good luck.  Another house had a newspaper with an article by Walt Whitman about John Astor in it.  I’ve found empty packs of cigarettes, old coins between the floorboards, and names and drawings on bare plaster under the original wallpaper.

We haven’t dug deep enough in our farmhouse to find out what someone might have left in the walls, but this is the third set of initials I found on the farm.

HW is painted on the inside of the basement door in big bold red letters. I know who they belong to.  Harold Walrath, the husband of Florence who lived in our house for over 80 years, until she was 104.

But I don’t know who JV was.   And even though the initials are painted in red also, they look completely different than Harolds.

At first, I thought that the initials might not have been put there by someone who lived in the house.  The boards in the woodshed look like they could have been reused. But then I remembered the initials DV that are carved into the door in the barn.

That “V” makes me believe that both initials probably belong to people who lived in the house before Florence and Harold bought it.

Every time I find a clue like this it makes me want to research the previous residents of the house.  It can’t be too complicated since Florence lived here for so long.

Seeing the initials makes me think there’s someone who wants to be remembered.  That there’s a story that wants to be told.

And I don’t mean something spectacular.  For me, the stories of everyday life are enough.  I find it interesting just to know who lived in a house and what they did for a living, how long they lived and where they’re buried.  Through the early census, it’s easy to find out how the land was used and how many outbuildings were originally on the property.

I’m not even sure why I’m so interested.  Except that knowing brings me a little closer to the people who chose to live in the same place I do now.  Even though, because of the time they lived in it was a completely different experience than mine.

I guess it’s a way of getting to meet them.

For me, it also animates the house, thinking of the changes that were made and the things that have stayed the same.  There are little clues everywhere that whisper to me like ghosts wanting to be known.

The initials carved into the barn door

The Orphaned Woods, After Days Of Rain

The stream is flowing right over the Gully Bridge.  My boots have a hole in them so my feet get wet, but the cool water feels good.  Over the bridge, mud sucks at my feet till I get to higher ground.

Moths flutter furiously like an early-winter snow flurry.  I can’t tell if I’m disturbing them or if they’re just constantly in motion.

My path to the little waterfall is blocked by the top branches and leaves of a maple tree that came down in the last windstorm.  It’s too hard to climb over, and I wonder if I will come back with a clipper and bow saw to clear it away or just make a new path.  So many trees are down, dead ones mostly.

I detour up the small hill and when I look up I’m faced with a dark archway of earth.

A Shagbark Hickory toppled over roots and all.  Where the tree once stood there is a depression in the earth with about six inches of crystal clear water in it.  I wade in the water to get a closer look at what used to be under the ground and is now visible.  Earth, rocks, roots, insects.  The mosquitos biting.

A small birch toppled over by the stream and I pulled it back up, hoping it will stay.   I wish I could do the same with the hickory.  I begin to wonder what it and the area around it will look like as the season’s change.

The uprooted Shagbark Hickory with Zinnia.

Mushrooms are everywhere.  I take a few pictures of the most interesting then spot the Indian Pipe.

This mushroom looks like coral to me.
I’ve never seen a black mushroom before.

Ghost pipe (also known as Indian pipe) isn’t a mushroom.  It’s a flower that gets its nutrients from the fungus in the ground instead of through photosynthesis. That’s why it’s white not green.

A close up the Ghost plant flower
I believe these are Ghost pipe seed pods.  But I may be wrong about that.

Fate led me out of the wood on a different path than usual.   The ground cover was low and I didn’t have to duck under the arch of the Japanese Honeysuckle.  This new way also took me past the Witch hazel tree which I’ve been watching with each season.  I now has the seed pods which will burst into little yellow flowers in the fall.

Witch hazel seed pods and leaves, with a Daddylongleg on them.

 

Hearts and Rooster Potholders

The  Hearts and Rooster Potholders I designed today.

Two things influenced and inspired the Hearts and Rooster Potholders I designed today.  One was the linen tea towel that Debby from our Farmers Market gave me.  The other was a conversation I had with Emily during our last Studio Chat.

Our conversation was about the idea of pattern-on-pattern.  I’ve been drawn to pattern-on-pattern ever since I first saw an exhibit of Henri Matisse’s paintings when I was in High School.  I was telling Emily how I was using a lot of patterned fabric together in my latest quilt Pink Moon, but also how I always hold back a little.

“Next time, don’t hold yourself back,” she said to me.

I didn’t realize that  I took her advice when making these potholders until I looked at the first few I had made.  The only solid color in all of them is the red stripes on the Potholder with the two girls holding hands.  (I have to admit I chose them first because they reminded me of the ghost sisters in the movie “The Shining”.  I’m not sure how that squares with all those hearts.)

I get that some of these Potholders would have probably been perfect around Valentine’s Day.  I was really drawn to the fabric with the roses on it as well as the hearts.   Roosters made their way into the potholders too, but I think that had more to do with the fact that the colors were right.

I’m not sure why I was drawn to the hearts and Roosters, could be a spring thing I suppose,  but I don’t think I have to have all the answers.

I’ll work on finishing these up this week and hopefully have them ready to post in my Etsy Shop on Friday.

The tea towel Debbie Gave me.

A Single Skein

I have two bags of Asher’s roving and a single skein of Bedlam Farm Wool left in my Etsy Shop.  The rest sold quickly in just two days.

But I try to keep a good stock of work in my Etsy Shop.  I have magnets and postcards,  posters and potholders, pins and poetry, buttons and decals.

Next week I’ll be selling my Inner Eye Potholders and I’m hoping to get my I’m Not A Ghost magnets.

Just click here to visit my Etsy Shop.

Asher’s Roving. A mix of Cormo, Romney and Blueface Leicester.  8 oz for $28 + shipping.

Reflections and Shadows

I’m trying to figure out what kind of pictures I want to take with my new instamatic camera, the Fujifilm Instax.

It’s so different from my iPhone which takes photos that are sometimes almost too sharp, the details too exact.  The Instax photos are softer in the color and detail.

Although the photos are instant, they evoke the passage of time.  Not just because the pictures from Instamatic cameras are a reminder of another time, when they were popular, but because  once image is captured, it then belongs to the past.

This is a photo of the  mirror and medicine cabinet (from 1956) in our bathroom.  The shadow from the window above the mirror is what captured my eye.  But when I was taking the photo, I found the reflection in the mirror as interesting.

Mostly l like the feeling of the photos.  When they work, they seem to have a presence about them.  Something almost ghost-like.

Full Moon Fiber Art