Through The Lace Tree

Jon and I just started walking in our neighbor’s woods again after not going there for about a year.  So I was a little sad but not surprised when I saw the Lace Tree had fallen down.

This burly hollow stump was the inspiration for the fabric painting I made a few years ago called Lace Tree Goddess.  

Today I got down on the ground and took this photo through the hollow stump. This beautiful old dead tree still inspires me.

Lace Tree Goddess

Lace Tree Goddess

There’s something about being able to give a piece time that can make all the difference.  It’s only recently that I’ve been able to take more time with my quilts and wall hangings.  It’s a shift I’ve been wanting to make, but was  often filled with anxiety to get them done.  My need to create and sell pushed me to work quickly.

But lately, I’ve been trusting my work more.  Trusting that I will sell what I make and that I can sell it for enough money to be able to take the time I need.

I  knew I wanted to add something to the branches of my lace tree, but I couldn’t figure out what it would be.  I tried different things, ribbons and fabrics to make leaves, sewing fabric between the branches to distinguish it from the rest of the ground.  These things weren’t right, so I let the piece hang on my wall, giving it time.

Then I saw beads, twinkling, here and there.  I started to sew them on, but it still wasn’t what I wanted.  Last night I woke up and thought to cut small round pieces of fabric that would go beneath each bead.  Finally I could see something that would really work.

When I got to my studio this morning I thought of my buttons.  I’ve had boxes and tins of buttons in my studio for years and never knew how to use them.  This morning I knew.  Lace Tree Goddess detail

Under each bead a button.

You can’t easily see the beads from a distance, but you will catch a sparkle when the light hits it right.  Hopefully drawing you in to take a closer look.

“Lace Tree Goddess” is sold.

 

Snake Goddess in a Lace Tree

Snake goddess and tree

Some materials I just find easy to work with.  I always be able to manipulate chicken wire easily.  It has just the right amount of resistance to keep its character and for me to be able to make it do what I want it to.  It was a material I used again and again when I first started making sculpture.

Now I’m  finding that capturing the texture, twists and flow of branches and roots with lace comes easy to me.  It’s as if the lace lends itself to having dimension, it doesn’t really want to lay flat.   It’s different from most fabric because of the dense areas and open spaces.  I have to work with them and sometimes they dictate what direction I take with the lace.

Today I got the roots and trunk sewn down, with the Snake Goddess tucked in side.  Now I’m continuing to work on the branches.

I have no idea what will come after the tree is done.  But that’s part of what keeps me interested in creating, not knowing what I’m working on will look like when I’m done.

Snake goddess and tree2

A Doorway and a Butterfly for my Lace Tree

lace tree doors

I meant to sew some potholders today, but I got this idea for my quilt so started working on it instead.  There was a hole in the quilt, two squares worn all the way through, so I cut them out and they made a doorway.  Not sure what’s going to be in that doorway yet, but it gave me a place to begin and I built a room around it.

lace tree dresser

Here’s a close up.  I’m really drawn to how the patches of fabric and patterns show up against the stitching.  I’ll probably use some colored markers to make that stand out more, but want to leave a lot of it the way it is.

lace tree snake goddess

I stitched down my Snake Goddess and started to add designs to her.  They come from my Language of the Goddess book.

lace tree butterfly

The last thing I did tonight was add a butterfly to the missing square of the flagmen.   The butterfly is from a wallhanging that Veronica sent me.  Her grandmother had made it and it has all these wonderful patches on it.  Like that little oriental rug under the butterfly.  Those flagmen have the feeling of flight.  And the butterfly seems to make it all make sense to me.

lace tree

Here’s what it looked like when I left my studio tonight.

A Lace Tree…

lace tree 1

I’m trying to figure out what to call these pieces I’ve been making on other people’s old quilts.  I haven’t come up with it yet, but I’m sure it’s out there, just waiting for me to find it.

This old quilt, that someone sent me, was twice the size it is now and had a big hole in the middle of it.  I cut it in half and hung it on my wall this morning.  So far, I’ve  done three of these types of pieces.  I’ve stitched on them and drawn on them with markers.  That’s what I’m planning on doing on this one too.

Working on the lace tree.
Working on the lace tree.

There’s a tree on one of the paths in the woods where I walk that reminds me of lace.  It’s really just a burly stump hollow on the inside.  But it grabs my attention every time I pass it and reminds me of my idea to make a tree from lace.

So I began making this tree out of a piece of lace this morning.  I  tacked it with just enough  stitches  to give it the shape I wanted.

lace tree 4

I didn’t really know what I was doing but it came together so easily, it surprised me a bit.

lace tree 5

I haven’t stitched  the moon on to the lower right side yet.  I’ve already moved it a few times.  It was the first thing I added to the quilt.  It’s from that same Zodiac blanket that Cindy gave me that I’ve used in the last three quilts I made.

I have a couple of vague ideas for what I want to do next, but I’m having a hard time picturing  how it will look yet.  Guess I’ll just have to sit and stare at it a little longer.

Sewing The Spiral On My Meditation Tree

 

I sewed down the spiral on my Meditation Tree today.   In the center I placed a small mirror.  I tried some beads, and shells, but the little mirror brought a whole other layer to the piece.

The mirror in the center of the spiral

I also painted the old hand quilting coming off the spiral.  Just the straight lines making layers under the tree.

Next I’ll work on the space above the tree top.

Working on my Meditation Tree in my Studio

More Work On My Meditation Tree

I just got the spiral looking the way I want it to.  A gradual spiraling in (After many attempts I realized I had to start from the outside and work my way to the center not the other way around) the lines getting closer as the spiral got smaller.

I pinned it on to the back and began basting the silk stands down when my phone rang.  Something is wrong with Jon’s iPhone.  Bad enough that we need to go to the Apple store in Albany  an hour from the farm to get it fixed.

That leaves me an  hour to get my work done.  Because I know when we get  back it will be late and I’m going to be too tired to do much of anything.

So the basting and finish sewing of my earth energy spiral will have to wait.

But I’m glad I got the work done on my Meditation Tree that I did today.  It feels like it’s all falling into place.

I finished sewing on my flower tassels.  They helped give shape to the tree top, then I did more painting on the  old hand quilted stitches to bring out the patterns they create in the branches and around the trunk of the tree.

I know now that I’ll be doing more painting above and below the tree too.

I’ll be looking forward to working on it again tomorrow.

The Branches On My Meditation Tree

 

My Meditation Tree when I left my studio this evening. The spiral is just pinned on. I’m playing the with size and placement. Then I’ll go back to the branches and see what else needs to be done there.

How I struggled with my Meditation Tree yesterday.

I tied strips of fabric into knots and sewed them on.  I was halfway done, and it wasn’t right.  The knots were heavy and dense.  The weight of them daunting.

I only felt better when at the end of the day, I cut all my stitches and the leaves fell to my studio floor.

But what to do instead kept me up last night. I finally fell asleep with the help of a relaxation meditation from the Calm App.

It helped me to keep a clear mind even when I woke in the morning and went to my studio.

 

Jon and I stopped along the road yesterday to watch the nesting Herons in the tree tops.  It makes  me wonder how much my surroundings influence me.

It didn’t take me long to see that my tree wanted branches not leaves. I pinned on the fabric and on the first try it was just the right size and created just the right shape.

I spent the day sewing the branches down.

When I was done I pulled out the strips of silk that I’ll use for the earth energy spiral.  I pinned it under the tree, but I’m still playing with the size and placement.

I have a feeling that once that is sewn down, I have a better idea of what to do next around the branches of the tree.

The shell of my Ramshorn snail.  It spirals both in and out equally.

“Silence And A Curtain Of Trees”

Mist in the Orphaned Woods

“And now in the woods, I once again revisit the idea of simply staying here, in the woods-with great interior freedom, and applying myself to the main business, which has nothing to do with places, and does not require a beach of pure white Caribbean sand.  Only silence and a curtain of trees.
Thomas Merton, “When The Trees Say Nothing”

Jon has been talking about and quoting Thomas Merton since I met him.  I often find Merton’s writing difficult to make sense of.  It is too much like being in church for me.  He writes in a language that I don’t understand.

Until Jon bought me Merton’s book “When The Trees Say Nothing”.  It is a book of Journal entries about nature.  It is in these writings by Thomas Merton that his God makes sense to me.

Full Moon Fiber Art